tag:blogger.com,1999:blog-44456765287822156452024-03-13T04:54:47.578-07:00CLOCKWORK ATOMICSA Tribute To Infernal Mechinations, Ideas That Never Were And The Obsessive Compulsive Behavior That Creates Them.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.comBlogger107125tag:blogger.com,1999:blog-4445676528782215645.post-12337997268869180882015-11-22T12:53:00.000-08:002015-11-22T12:53:15.154-08:00Clockworkatomics.com is finally up!<div class="separator" style="clear: both; text-align: center;">
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Admittedly it is still very meager. But the actual site is finally up. Please check in to see updates and some of my newer work.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-87635848981520260982015-03-05T14:34:00.004-08:002015-03-05T14:34:55.361-08:00Art on Paper 2015 NYCIf you are going to the Art on Paper fair please stop by JHB Gallery (Booth 205). I have a few drawings up.<br />
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Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-3227072168510190862013-03-10T22:03:00.001-07:002013-03-10T22:03:36.751-07:00NYC Armory Show 2013 - Summation I just want to thank all of you who I spoke to at the show. It was a fantastic experience. (I had no idea so many people knew what Tyvek was)! And hopefully the first of many. One thing I have done (or in the process of doing) is alter my name. After realizing there are a plethora or me out there I will now go (or try to) by my full name which is Scott Stevenson Wilson.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-77112520410508859282013-03-07T12:32:00.001-08:002013-03-07T12:32:31.651-08:00Babel at The NYC Armory Show 2013<div class="separator" style="clear: both; text-align: center;">
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This is my back up drawing for the Armory Show (on the very real chance <i>Airship</i> did not fit). <i>Babel,</i> as in<i> </i>Tower of, is definitively smaller than <i>Airship</i> but clocking in at 6.5 x 5 feet, it is still a good size. This was a learning experience. I avoided all of the pitfalls I encountered in <i>Airship</i> yet created a whole slew of new ones. Most important of all is that there really is a limit to the detail allowed.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-72125258797000432062013-03-07T11:59:00.002-08:002013-03-07T12:19:31.822-08:00Airship at The NYC Armory Show 2013<div class="separator" style="clear: both; text-align: center;">
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Amazing exciting news this week. I am currently showing one of my drawings, <i>Airship</i>, at the NYC Armory Show. Please stop by Ricco/Maresca Gallery booth #258 on Pier 92. Its one of those things you kinda need to see in person. Why? Well for one thing its 10 feet long! Yes this is what happens when I spend 2 months on a single drawing.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-1579285352528072552012-04-19T04:25:00.007-07:002012-04-19T05:35:24.708-07:00Clockwork Reliquary of the EES: Clockwork Atomics x460<div style="text-align: center;"><span ><br /></span></div><a href="http://2.bp.blogspot.com/-NZY-PP_O3iQ/T4_2P3aNE6I/AAAAAAAAAWs/fk8YSIzgUMY/s1600/x460.jpg"><span ><span style="font-size: 100%; margin-right: auto; margin-left: auto;"><img src="http://2.bp.blogspot.com/-NZY-PP_O3iQ/T4_2P3aNE6I/AAAAAAAAAWs/fk8YSIzgUMY/s400/x460.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5733071603098260386" style="display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; text-align: center; cursor: pointer; width: 299px; height: 400px; " /></span></span><div style="text-align: center;"><span ><br /></span></div></a><span style="font-size: 100%;"><span ></span></span><a href="http://3.bp.blogspot.com/-i9ofuHeCQBo/T4_5rJ4FIqI/AAAAAAAAAW4/U3L5v9D57aw/s1600/x460-019.JPG" style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 300px; height: 400px;" src="http://3.bp.blogspot.com/-i9ofuHeCQBo/T4_5rJ4FIqI/AAAAAAAAAW4/U3L5v9D57aw/s400/x460-019.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5733075370446758562" /></a><a href="http://3.bp.blogspot.com/-i9ofuHeCQBo/T4_5rJ4FIqI/AAAAAAAAAW4/U3L5v9D57aw/s1600/x460-019.JPG" style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "></a><a href="http://2.bp.blogspot.com/-NZY-PP_O3iQ/T4_2P3aNE6I/AAAAAAAAAWs/fk8YSIzgUMY/s1600/x460.jpg"><img src="http://1.bp.blogspot.com/-EJhZIiMjVas/T5AGFPtOQnI/AAAAAAAAAXE/lFsq56w-Pjo/s400/IMAG0117.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5733089012827964018" style="display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; text-align: center; cursor: pointer; width: 400px; height: 267px; " /></a><div><div style="text-align: center;"><span ><u><br /></u></span></div><br /><span style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "><span style="font-size: 100%;">The most common question I receive is if I only draw on napkins. No. But I really like the material. Anyway, I do larger works on more traditional materials. They just take longer. A lot longer. What was a few hours turns into a few weeks. Not that it is not worth it. But I like the </span>spontaneity of the smaller works. For whatever reason, I tend not to show them. Don't ask. I don't know why. I like keeping things to myself? I don't play nice with others? Who knows...who cares. Anyway here is one of my favorite recent larger works. While being overall larger (22x30) the drawing is built on the same scale...just a lot more of it.<span style="font-size: 100%;"> </span></span></div><div><span style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "><br /></span></div><div><span style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; ">All praise the EES! The Electric Eye of Science!</span></div><div><span style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; "><br /></span></div><div><span style="font-family: Georgia, serif; font-size: 100%; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; ">(I really should get out more.)</span></div>Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com3tag:blogger.com,1999:blog-4445676528782215645.post-84484451959503128322011-12-16T06:00:00.000-08:002011-12-16T06:00:04.980-08:00Pyramid As Viewed In Tethered Phases: Clockwork Atomics x324<a href="http://1.bp.blogspot.com/-U9gaveNPz7I/Ts5suFDIYDI/AAAAAAAAAR0/m3DIrN6ljwU/s1600/x324z-webw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 391px; height: 400px;" src="http://1.bp.blogspot.com/-U9gaveNPz7I/Ts5suFDIYDI/AAAAAAAAAR0/m3DIrN6ljwU/s400/x324z-webw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5678595719045865522" /></a>Many of these drawings are of nothing in particular. Almost more of an visual/conceptual exercise. Start with a classic geometric form (a pyramid) and deconstruct it while keeping it whole. Create an object that has no definitive outside planes. Or one that is shown to be moving through itself in space. The general idea is that it is both inside out and not simultaneously. Which for me is the answer to the question of how do you get a bigger object in a smaller one. At any rate it is a hell of a way to kill time.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-13934382945647069482011-12-15T06:00:00.000-08:002011-12-15T06:00:20.941-08:00Orrery Of A Binary System With Five Orbiting Bodies: Clockwork Atomics x326<a href="http://4.bp.blogspot.com/-ImFnN2-Jypo/Ts5trEcTgfI/AAAAAAAAASM/9OVE13lR76I/s1600/x326z1-webw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 217px;" src="http://4.bp.blogspot.com/-ImFnN2-Jypo/Ts5trEcTgfI/AAAAAAAAASM/9OVE13lR76I/s400/x326z1-webw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5678596766855037426" /></a>I would have to say that my favorite mechanical device is still the Orrery. An orrery is a model that shows the relative positioning and movement of astral bodies/systems. They can be highly detailed clockworks and are beautiful to watch. Many of my drawings have their genesis in orrerys. If not in subject then in the movement of the machine and its parts.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-6055724551891248542011-12-14T06:00:00.000-08:002011-12-14T06:00:02.537-08:00Folding Instructions For Turning A 2D Plane Inside Out: Clockwork Atomics x313<a href="http://3.bp.blogspot.com/-69scNSSa4lw/Tsw6t1o1pLI/AAAAAAAAAPs/DEJ2beWUyOU/s1600/x313z-webw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 395px;" src="http://3.bp.blogspot.com/-69scNSSa4lw/Tsw6t1o1pLI/AAAAAAAAAPs/DEJ2beWUyOU/s400/x313z-webw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5677977789374244018" /></a>I remember one of the more enjoyable (maybe the only one) standardized tests I took as I child was one that tested aptitude. If I remember correctly (which I most likely don't), I performed amazing well in areas that had to do with spacial relations and reasoning. And did really poorly in areas that dealt with mechanics. The spacial part definitely played out in both work and my past times. But for the other it did not matter in any way as my fascination with mechanical devices only continued to grow. (Possibly due to my subconscious inability to understand them fully). Who knows?Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-10632489528616541702011-12-13T06:00:00.000-08:002011-12-13T06:00:05.896-08:00Vergeltungswaffen-4 (V-4) Spacial Compression/Collapsing Engine: Clockwork Atomics x347<a href="http://3.bp.blogspot.com/-suNS2eJeo60/TtrZqSu5yiI/AAAAAAAAAVA/CSUHgL86dao/s1600/x347acsmw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 209px;" src="http://3.bp.blogspot.com/-suNS2eJeo60/TtrZqSu5yiI/AAAAAAAAAVA/CSUHgL86dao/s400/x347acsmw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5682093200487598626" /></a>The Germans developed some scary technology for the time during the war. Even more frightening were the weapons and tech that never made it off of the drawing board. Tapping into every niche of scientific and arcane knowledge the projects that were discussed surely exceeded even the most wild imaginations and nightmares. This idea is continued in Mike Mignola's excellent Hellboy books. Many of which feature impossible machines and weapons.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-79835903999557042262011-12-12T06:00:00.000-08:002011-12-12T06:00:10.929-08:00Quantum Atomic Heart Of The Machine Of Apokolips: Clockwork Atomics x353<a href="http://2.bp.blogspot.com/-VzJsotEA8uc/TuOsZGQMJDI/AAAAAAAAAWI/tim77-3rmoQ/s1600/x353acsmw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 207px;" src="http://2.bp.blogspot.com/-VzJsotEA8uc/TuOsZGQMJDI/AAAAAAAAAWI/tim77-3rmoQ/s400/x353acsmw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684576701846922290" /></a>I borrowed a little from Jack Kirby here. A very very little but he was the genesis. The sculpting lines/tubes around the sphere gives volume and adds an element of primitive tech. Jack used vaguely similar line structures especially in his depictions of Apokolips and its technology. I have never been able to mimic his art to any degree of satisfaction but it continues to serve as a point of inspiration.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-62797541241121248182011-12-11T06:00:00.000-08:002011-12-11T06:00:03.422-08:00Omni-Directional Cathode Ray Emitter: Clockwork Atomics x297<a href="http://4.bp.blogspot.com/-D2qCJYfuyE4/Tsro9j7BTKI/AAAAAAAAAOM/gdwQ91ARMNU/s1600/x297z1-webw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 311px; height: 400px;" src="http://4.bp.blogspot.com/-D2qCJYfuyE4/Tsro9j7BTKI/AAAAAAAAAOM/gdwQ91ARMNU/s400/x297z1-webw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5677606424566385826" /></a>A predecessor to the numerous death ray machines to come (I still lay the blame at Flash Gordon's feet). But it is the play between archaic and advanced tech that I continue to explore. Making something advanced with primitive items. One part Da Vinci and one part the Professor from Gilligan's Island.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-90916212358723775252011-12-10T11:02:00.000-08:002011-12-10T11:11:56.045-08:00Dr. Frankenstein's Electrical Accumulation Engine: Clockwork Atomics x359<a href="http://4.bp.blogspot.com/-D-jOhAp0KmA/TuOsunzME2I/AAAAAAAAAWg/TDtrvdWb4n0/s1600/x359acsmw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 199px;" src="http://4.bp.blogspot.com/-D-jOhAp0KmA/TuOsunzME2I/AAAAAAAAAWg/TDtrvdWb4n0/s400/x359acsmw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5684577071629341538" /></a>One of my favorite sets in film is the lab of Dr. Frankenstein. I never get tired of the look of his equipment. Not sure I understand any of the devices but I love em. This design partially borrowed from those machines. On a side note: this napkin is from Morton's in Georgetown where I ran up a surprisingly large tab without realizing it.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-85344270105683357472011-12-09T06:00:00.000-08:002011-12-09T06:00:00.531-08:00Jet Turbine Directed Sonic Array: Clockwork Atomics x346<a href="http://2.bp.blogspot.com/-chg4fiNWCMY/TtrYx8IWmsI/AAAAAAAAAU0/Dp4i3w3IkEU/s1600/x346acsmw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 205px;" src="http://2.bp.blogspot.com/-chg4fiNWCMY/TtrYx8IWmsI/AAAAAAAAAU0/Dp4i3w3IkEU/s400/x346acsmw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5682092232347654850" /></a>At some point I started adding metal plating/housing to the machines. I think this was an attempt to conform more to the idea of what a Steampunk design should be. But ultimately I gave up on making this a major component. I felt it just didn't work as well. It made the machines feel too solid. This also features a 2D front array as part of a continued experiment primarily inspired by the ray gun designs from WETA.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-53801937883129730902011-12-08T06:00:00.000-08:002011-12-08T06:00:17.378-08:00Astrometric Diagram Of Gravimetric Forces On A Ternary System: Clockwork Atomics x295<a href="http://2.bp.blogspot.com/-DpxHYN_gglA/TsrosZ6EwmI/AAAAAAAAAOA/lrUX6k1ik9s/s1600/x295z-webw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 398px; height: 400px;" src="http://2.bp.blogspot.com/-DpxHYN_gglA/TsrosZ6EwmI/AAAAAAAAAOA/lrUX6k1ik9s/s400/x295z-webw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5677606129820287586" /></a>The majority of my early drawings were either mathematical diagrams, alchemic structures, or astrometric relationships. While that has changed and I now work almost exclusively on drawings of the machine or my new obsession concentric circles (its more interesting than it sounds), I occasionally return to the diagrams. I find them relaxing and enjoy immensely the under-drawing that occurs when working on napkins. The sketching is non correctable so whatever happens happens.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-41989802381079846362011-12-07T06:00:00.000-08:002011-12-07T06:00:11.889-08:00Edison Vacuum Tube Compression Death Ray: Clockwork Atomics x348<a href="http://3.bp.blogspot.com/-XEmtZcvo9vU/TtraYiSkGYI/AAAAAAAAAVM/cHDdGRrPZNE/s1600/x348acsmw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 202px;" src="http://3.bp.blogspot.com/-XEmtZcvo9vU/TtraYiSkGYI/AAAAAAAAAVM/cHDdGRrPZNE/s400/x348acsmw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5682093994937686402" /></a>More death rays. Never never can be enough. Sadly this drawing is kinda fucked. The right 2/3 is perfect and then I ganked it. For some unknown reason I thought it would be cool that the final focusing array should be flat. Flat as in 2D. This was not a good idea. My attempts to correct this (over draw) were semi-successful. It still looks a bit blocky. But I just love the right side and I learned my lesson...sort of.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-34984006993829995652011-12-06T06:00:00.000-08:002011-12-06T06:00:16.671-08:00Tesladyne Dynamic Ionic Centrifuge: Clockwork Atomics x293<a href="http://1.bp.blogspot.com/-XpR_5cHcLCU/TsroSjJmbwI/AAAAAAAAAN0/lc53jbXRiBs/s1600/x293z1-webw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/-XpR_5cHcLCU/TsroSjJmbwI/AAAAAAAAAN0/lc53jbXRiBs/s400/x293z1-webw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5677605685624729346" /></a>One of the most important elements in my drawings is the feeling of movement. The gears grinding and meshing with each other along with parts of the machine in motion. Circular rotation in the machines has developed from the gears spinning to an array that moves to my current drawings that in which all parts move. Granted they would have to move through each other. However, the contradiction of the machine's possible functionality and the impossibility of the spacial relationships I find extremely appealing.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-24752207957269722232011-12-05T06:00:00.000-08:002011-12-05T06:00:23.096-08:00John Cleves Symmes Jr.'s Hollow Earth Model: Clockwork Atomics x321<a href="http://1.bp.blogspot.com/-nQUPeUBw82s/Ts5rlnOO-0I/AAAAAAAAARc/fOLlXD_IVxM/s1600/x321z1-webw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 202px;" src="http://1.bp.blogspot.com/-nQUPeUBw82s/Ts5rlnOO-0I/AAAAAAAAARc/fOLlXD_IVxM/s400/x321z1-webw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5678594474088790850" /></a>I love this theory. It's been kicking around as long as there has been written history. The idea that there are secret areas and hidden parts of the world is almost a dead thing. It's a shame really. Much of pulp fiction entails the exploration of the lost parts of history. I feel that the resurgence of pulp fiction's themes is the desire to regain, even superficially, some of the mystery that is gone from the world.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-78337635476206025712011-12-04T06:00:00.000-08:002011-12-04T07:36:21.332-08:00Da Vinci's Newtonian Dynamic Particle Death Ray Cannon: Clockwork Atomics x341<a href="http://3.bp.blogspot.com/-oLlZ1u5RYlA/TtrXCXcZd1I/AAAAAAAAAUE/l6dGZweZovI/s1600/x341acsmw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 306px;" src="http://3.bp.blogspot.com/-oLlZ1u5RYlA/TtrXCXcZd1I/AAAAAAAAAUE/l6dGZweZovI/s400/x341acsmw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5682090315534137170" /></a>Part telescope, part clockwork, part gravity well. All super weapon. What's with all the death rays? Too much Flash Gordon as a child I guess. I blame my parents. When I was 10 they gave me a beautiful book of the newspaper comics from the 30's. It was one of my first exposures to the retro futurism and continues to effect my ideas. While the drawings and designs I produce are not Steampunk in the strictest sense, I like to think that they share a certain flavor. The idea of old or primitive technology being used to produce advanced tech is highly attractive to me. There is a certain beauty to the slightly archaic designs that never fails to catch my eye and heart.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-62749295553635163242011-12-03T10:10:00.000-08:002011-12-03T10:16:02.016-08:00NYC's Queensboro Bridge (59th Street Bridge) In Four Dimensions: Clockwork Atomics x290<a href="http://1.bp.blogspot.com/-WHXgatxGbIw/TtpmVu_2j-I/AAAAAAAAATc/taK2SD2uSrc/s1600/x290z1-webw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 306px;" src="http://1.bp.blogspot.com/-WHXgatxGbIw/TtpmVu_2j-I/AAAAAAAAATc/taK2SD2uSrc/s400/x290z1-webw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5681966403460435938" /></a><br /><a href="http://4.bp.blogspot.com/-fNN_zZmNfeE/TtpmVauGfFI/AAAAAAAAATU/RM_rRN_p3DA/s1600/2890436221_fb58e096e1.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://4.bp.blogspot.com/-fNN_zZmNfeE/TtpmVauGfFI/AAAAAAAAATU/RM_rRN_p3DA/s400/2890436221_fb58e096e1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5681966398017272914" /></a>NYC has many bridges and several are quite famous. The 59th street bridge is not one of those but it is one of my favs. I see it everyday from the train and I never get tired of it. It reminds me of something that would be built from an Erector Set. I just love its structure I guess.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-90553420086898570172011-12-02T06:00:00.000-08:002011-12-02T06:00:05.064-08:00Mapping Stress Planes In A Crystalline Cube: Clockwork Atomics x320<a href="http://4.bp.blogspot.com/-ExSr5jTtjF4/Ts5q55Ck0gI/AAAAAAAAARQ/UsPBi1oOBRI/s1600/x320z-webw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 394px; height: 400px;" src="http://4.bp.blogspot.com/-ExSr5jTtjF4/Ts5q55Ck0gI/AAAAAAAAARQ/UsPBi1oOBRI/s400/x320z-webw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5678593722957484546" /></a>Gem cutting has always amazed me. Being able to get to a hidden shape by fracturing the whole kills me. I don't know if its true but I remember hearing stories of jewelers studying a stone for a great length of time before beginning. The matrix or crystalline structure of a solid object showing it's inner working is beautiful. Admittedly it might be in part to my being a fan of the Inhumans. Karnak rocked.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-6425774117818843512011-12-01T06:00:00.000-08:002011-12-01T06:00:01.215-08:00Archimedes' Death Ray Powered By Micro Singularity: Clockwork Atomics x325<a href="http://1.bp.blogspot.com/-ryhhfppSp6U/Ts5tLj-eCgI/AAAAAAAAASA/JboCe0RiPqo/s1600/x325z1-webw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 305px;" src="http://1.bp.blogspot.com/-ryhhfppSp6U/Ts5tLj-eCgI/AAAAAAAAASA/JboCe0RiPqo/s400/x325z1-webw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5678596225564019202" /></a>Death rays. Who could ever get tired of these things? It captures the imagination with both thoughts of power and destruction. The idea of siccing devastation from afar upon an enemy is by no means a new idea. While not always called a death ray, the general idea has been around for at least the last two thousand years. Archimedes supposedly created such a device. Modern testing shows it would most likely brown bread rather than cause an inferno of death. But the idea and desire was certainly there.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-15846148061201324152011-11-30T06:00:00.000-08:002011-11-30T06:00:00.118-08:00Rotational Matrix of H.G. Well's Time Machine: Clockwork Atomics x317<a href="http://4.bp.blogspot.com/-FEDITj-Z4Hk/Tsw7nxI6IuI/AAAAAAAAAQE/mPvrpoI9bfI/s1600/x317z1-webw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 308px;" src="http://4.bp.blogspot.com/-FEDITj-Z4Hk/Tsw7nxI6IuI/AAAAAAAAAQE/mPvrpoI9bfI/s400/x317z1-webw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5677978784598991586" /></a>This shape is vaguely based on 2002's Time Machine. Granted it is highly simplified but the angle was what I was interested in. Actually this is something I should revisit.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-88222456458326002122011-11-29T06:00:00.000-08:002011-11-29T06:07:22.594-08:00John Byrne: The Machines Of The Fantastic Four<a href="http://4.bp.blogspot.com/-xevzlf2uvOY/TtK07jf9zqI/AAAAAAAAATI/AcQQHmDvwaA/s1600/ffIMG_0008.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 343px;" src="http://4.bp.blogspot.com/-xevzlf2uvOY/TtK07jf9zqI/AAAAAAAAATI/AcQQHmDvwaA/s400/ffIMG_0008.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5679801015302213282" /></a>John Byrne was my first introduction to comics. (To this day I can remember buying that issue of The Uncanny X-Men #143 off of a 7-11 comic rack in Florida.) Pictured above is one of the impossible machines of the Fantastic Four that John created. The sense of depth, detail, and possibility that it might somehow work or exist continues to captivate me. To say his art and design have been influential simply does not do justice to his contributions. While my drawings look nothing like his, it was my fascination with his creations that spurred my interest.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0tag:blogger.com,1999:blog-4445676528782215645.post-50471778807891732232011-11-28T06:00:00.000-08:002011-11-28T06:00:02.518-08:00The Hidden Apparatus of Jules Verne: The Gimbal Free Gyroscope Of Captain Nemo's Nautilus: Clockwork Atomics x316<a href="http://3.bp.blogspot.com/-lggQivmu4Ks/Tsw7N_aB6vI/AAAAAAAAAP4/rKwKWnhVb5M/s1600/x316z1-webw.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 202px;" src="http://3.bp.blogspot.com/-lggQivmu4Ks/Tsw7N_aB6vI/AAAAAAAAAP4/rKwKWnhVb5M/s400/x316z1-webw.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5677978341752302322" /></a>True true, a gyroscope should only have three rings. Three seems so limiting. While six is much more exciting. Much more. What will they do? What force are they effected by? Can you have a gyroscope without gimbals? Who cares. Ask Nemo.Scott Stevenson Wilsonhttp://www.blogger.com/profile/11567074999735723667noreply@blogger.com0